Hello, I think about trying myself out in a card counting thus i have some questions about whether or not I'm understanding things correctly. I'll be really grateful for the answers :) After all the things I want to ask there will be some additional info about some things I want to share because some of the questions may seem a bit odd. It's (as, well, everything in this post) optional and has pretty much nothing to do with counting. So the questions are as follows:
1) Rules are as follows: 6D, 3:2, ENHC, S17, DA2, SP3, SPA3 (4 hands in total), DAS, NHSA, SURRXA, ES10 (I belive if it's ENHC it's always an early surrender? Anyway you can surrender anything except an dealer's Ace upcard). Penetration is 5:6. I belive that's are some great rules but I can't calculate the exact house edge under this specific set of rules. I belive it's around 0.2%. Is there anyway to calculate the exact house edge? I've been searching for a different calculators but didn't find any that could calculate all of the above. Also tried searching how different rules affected house edge and calculating all of this myself, but failed again.
2) Is it worth to adjust my betting strategy if I want to use the exact house edge? Just as an example: if the real house edge is 0.2% should I try to calculate all the different bet sizes for a Kelly betting? By that I mean that at TC 0 house edge is 0.2%, TC 1 -0.3%, TC 2 -0.8% and so on?
3) About betting and how I understand it. So the best way to maximize your bankroll growth rate while having the lowest risk of ruin is to use full Kelly which gives you 13.53% RoR. For a part time player I belive that's acceptable. So the absolute minimum of a bankroll I'd need will be 1k$ (min bet is 5$ and 5/0.005=1000, right?) IF I intent to play only at TC 2+ which means wonging a lot. So at TC 2 I start betting the table minimum and incrementing my bets by 5$ for each next TC. I belive that would also decrease ror but I'm not sure by how much. Also If I want to play from the start of the shoe and let's say wong out at TC -3 (using flooring for handling non integer TCs so it's more like -2 "actually") and my first raise being 10$ at TC 2 while betting only half a Kelly which would give me 1.83% ror (according to a table I've found on the internet) I'll need a 4k$ bankroll?
4) Deck estimation. I'm really bad at it and so I decided to try to implement a side count of all the cards dealt but it's really hard and Colin from BJA said in one of his videos that's it's really not worth it. After I found out that the average hand consists of 2.7 cards I've decided to keep a side count but all the hands played which means that I decrease my divisor by half a deck for every 10 hands played which gives us ~27 cards. I belive that with this method it's better to use half Kelly betting because we are worried about skyrocketing our ror by overbetting because of the varience of the shoe and how the game is going. Half a Kelly gives us 3/4 of a growth rate with under 2% ror and overbetting half a Kelly is actually going closer to betting a full Kelly which only increases our growth rate and all of that applies to a full Kelly which means that overbetting a full Kelly decreases our growth rate while making our ror even worse than 13.5%. The real question is: is this method an OK to use? Would dispersion of amount of cards per hand really affect the overbetting? It's an important question because I don't think I'll be able to try half Kelly before at least 2k$ bankroll. And for me it's a lot of money. More about all the unimportant stuff later on.
So thanks for reading all of this, now I'll tell some things that aren't really about blackjack. Feel free to skip all of this and I'd be really grateful for all the answers :)
I'm 22 and I live in Ukraine. I'm a croupier myself :) My english is kinda rusty but I belive you can forgive me for that :) In Ukraine casinos are only beginning to open because all of the gambling things were not legal till right the recent days. Minimum age to start playing is 21. In worst case 12 hours of dealer's life (1 work day) is 25$+70% of the tips that are being split. If you've read the betting strategy for a full Kelly and min bet of 5 at TC 2+ you could be surprised by the amount of EV I'm in theory generating but if it'll be worth at least 5$/hour (against 2.1$/hour as a croupier not including tips) and thinking of it as a part time thing I belive that's worth a shot. Thanks for your attention, time and (I hope) answers :) First time using reddit as well :)

My Dear Melancholy

Gaspar Noe/Cannes Film Festival
The My Dear Melancholy era notable for being a time when The Weeknd was in proximity to a lot of serious directors. While he’s had a foot in Hollywood for awhile, 2017 through 2019 he was actively engaging with filmmakers like the Safdies Brothers, Gaspar Noe, and Claire Denis, amongst others. While he had been actively courting the Safdies since Good Time was released, he attended the 2018 Cannes Film Festival where he crossed paths Noe, whose film Climax took home a number awards at Cannes. Noe’s Enter the Void had previously served as an inspiration for Kiss Land, and for MDM (and later After Hours) seem to call back to Noe’s other films, like Irreversible and Love, which are both twisted depictions of heartbreak. On the other hand, Climax is about a French dance troupe who accidentally take LSD, and according to Noe is not a “message” movie. It is an audacious psychedelic technical exercise, with numerous long takes and highly choreographed set pieces. The idea for Noe, who had previously captured the feeling of drugs in previous films, was to do the opposite, and present the objectively reality of drugs, watching people high from a sober perspective.
Noe is a rather strong advocate of film, and the opening scene of Climax features VHS boxes of a number of films that have influenced his filmmaking. Two of note are Schizophrenia, otherwise known as Angst, one of Noe’s favorite films which The Weeknd name checked to the Safdies, and Possession, which would go on to be an influence on After Hours (more on this later). He is also said to have sat next to Benicio Del Toro at Cannes, which means he likely caught some of the Un Certain Regard section, where Del Toro served as a jury member. Outside of that section, there were a few other films of interest such as The House That Jack Built from Lars Von Trier (The Weeknd has previously expressed affection for Von Trier’s Antichrist), Mandy from Pastos Costamos, and music video director Romain Gavras’s The World Is Yours, as well as a restoration of 2001: A Space Odyssey, which Noe has referred to as the film that got him into filmmaking.
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Asian Cinema
Later in 2018, The Weeknd continued his globetrotting with a tour of Asia. He once claimed in an interview that whenever visiting a foreign country he only watches films from there. I’ve previously written about the influence of Asian cinema on Kiss Land, and there’s not enough work from the MDM era to glean anything cinematically adjacent to this, but now would be a good time to mention that the "Call Out My Name" video was heavily inspired by the work of famed Japanese photographer Hiroshi Sugimoto. The Asian tour poster seems to be a reference to Ichi the Killer, which leads us to Takashi Miike. Though he is notoriously prolific across a number of genres, his most popular works internationally are genre melding blends of horror, comedy and crime, most notably Audition, Ichi the Killer and Gozu. Another film worth mentioning is Perfect Blue, Satoshi Kon’s masterwork about a pop star’s mysterious stalker that The Weeknd posted about on Instagram before. Bloody and haunting, the film was a major influence on Darren Aronofsky’s Black Swan and Requiem for a Dream. In Interviews he has also mentioned a number of Korean films, such as The Wailing, I Saw the Devil and Oldboy. While Wong Kar Wai was previously mentioned as an influence on Beauty Behind the Madness, also worth mentioning is the work of John Woo, specifically A Better Tomorrow, well known for the shot of smoking a cigar off money, and Infernal Affairs, Andrew Lau’s crime classic which served has the basis for Scorsese’s The Departed.
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After Hours

Martin Scorsese
While After Hours more so than any other Weeknd album is bursting at the seams with cinematic references, the influence of Martin Scorsese stands above all. Similar to The Weeknd’s body of work, many Scorsese’s are explorations of violence and masculinity, investigating them from a perspective that depending on who you ask (and how they’re feeling) glamorizes, condemns or just simply presents the reality of characters on the fringes of society.
While there are direct references to a number of prominent Scorsese films, what’s interesting is that his influence also reverberates in other films/filmmakers that influence After Hours. Todd Phillips’s Joker is in effect an homage to Scorsese’s loner-centric New York films, and the Safdie Brothers have been putting their own millennial spin on the type of 70s gritty thriller that Scorsese trafficked in (Scorsese was also a producer on Uncut Gems). Specific Scorsese works will be discussed more in depth in the requisite sections, but it is worth mentioning upfront what a prominent role that Scorsese plays in the nucleus of After Hours.
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Urban HorroIsolation
With After Hours, The Weeknd departs from the slicker sounds and influences that permeated Starboy and returns to the cinematic grittiness of Beauty Behind the Madness. While urban horror is a theme that permeates throughout The Weeknd as a project overall, there is a thorough line to be drawn here that follows a number of 70s and 80s cinematic and aesthetic references. For one thing, while the initial bandaged nose was a reference to Chinatown (previously, The Weeknd has a Kiss Land demo titled "Roman Polanski"), the full bandaged face that is so prominently featured throughout the After Hours era is a classic cinematic visual trope that was especially prominent throughout 60s and 80s, though it saw a slight re-emergence in the 2010s. The fully bandaged face is often used to remake someone in the image of another, usually against their will (The Skin I Live In, Eyes Without Face), or as a case of mistaken identity and doppelgängers (Good Night Mommy, Scalpel), themes present throughout much of After Hours. The "Too Late" video acknowledges these references, but instead presents the bandages on two Los Angeles models recovering from plastic surgery, in a nod to a famous Steven Meisel’s photoshoot for Vogue Italia.
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The “masks” people wear is another horror trope that is featured prominently on After Hours, and this is best seen in the red suit character. One important reference in the film is to Brian De Palma’s Dressed To Kill, where a serial killer is targeting the patients of a psychiatrist (any more on this film will veer towards spoiler territory). The Weeknd is on the record as saying Jim Carrey’s The Mask as being a large influence on the Red Suit character, it being one of the first film’s he watched in theaters. One of the more complex references would be to Joker. While it sort of an in-joke that the character of the Joker is commonly overanalyzed and misinterpreted, referencing Todd Phillips’s Joker is more nuanced because it is in essence a full on homage to Martin Scorsese’s New York films, most notably Taxi Driver and The King of Comedy, which focus on eccentric loners, and can both be seen as cautionary tale of urban isolation, a theme explored perhaps in songs like "Faith." The King of Comedy revolves around a would be obsessive stand up Rupert Pupkin haggling his way to perform on late night TV, with The Weeknd’s talk show appearances being a prominent part of the early After Hours marketing, most notably in the “short film”. This idea of isolated and compressed urbanites recurs throughout After Hours and it’s films.
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The idea of urban repression is in the subway scene of the After Hours short film. The entire film itself is something of a reference to the subway scene to Possession (another Gaspar Noe favorite), mimicking the (also subway set) scene in which Isabelle Adjani’s Anna convulses on the subway due to a miscarriage, as well as Jacob’s Ladder, a 90s cult classic horror film starring Tim Robbins as a Vietnam vet (like Taxi Driver’s Travis Bickle) who is experiencing demonic hallucinations, encountering them in the subway and later at a party he attends, splitting the scene into two.
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Las Vegas
As always, The Weeknd once again grounds After Hours with a strong sense of place, this time setting the album against a nocturnal odyssey through Las Vegas. One of the most prominent films is Fear and Loathing in Las Vegas, Terry Gilliam’s adaptation of Hunter S. Thompson’s book. This is directly referenced in the "Heartless" video, which sees The Weeknd and Metro Boomin in the Johnny Depp and Benicio Del Toro roles as they tumble through a Las Vegas casino. The Weeknd has gone on the record to state that the famous red suit character was influenced by Sammy Davis Jr.’s character in the film Poor Devil. However, similar red suit has also been sported by a number of Vegas characters, most notably Richard Pryor and Robert De Niro’s Sam Rothstein in Martin Scorsese’s Casino. With the red suit, The Weeknd seems to be playing with the idea of a devil-ish other, another side of his personality that emerges in Las Vegas.
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While the city lights are the oft discussed part of part of Las Vegas, it should be noted that similar to Beauty Behind the Madness, the desert that surrounds Las Vegas is just as important to the juxtaposition of its beauty. The "Until I Bleed Out" video ends/"Snowchild" video in the desert, similar to the confrontation between Robert De Niro’s and Joe Pesci’s showdown in the desert in Casino, as well as Joe Pesci's death in Goodfellas. The idea of a hedonistic desert playground also bears semblance to Westworld, both the film and the TV show. The desert seems to represent some sort of freedom to The Weeknd, as the "Snowchild" video portrays the desert as a pensive location for reflection, as well as the "In Your Eyes" video showing the girl prominently dancing with the dismembered head out in the open, in reference to The Texas Chainsaw Massacre, another prominent desert film.
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New York/The Safdies
Despite it’s Las Vegas setting, After Hours also takes a good amount from films set in New York, most notably Martin Scorsese’s 1983 film After Hours. Besides the title, After Hours is similarly about a twisting and turning nighttime odyssey. The film stars Griffin Dunne as Paul, a working class stiff who heads downtown to rendezvous with a woman he met at a diner earlier that night. Of course, things don’t turn out the way they should, chaos ensues, and Paul is set on a dangerous trek back uptown. Like the film, the album After Hours is set off by a woman (though the album takes more stock in romantic endeavors), seems to be set over a single night (or at least a condensed period of time), and involves similar chaos and misadventures (sirens at night at the end of Faith). Tonally, After Hours the film is more comedic perhaps than After Hours the album, however The Weeknd is on the record as having said that "Heartless" and "Blinding Lights" placement on the album is intended to be somewhat comedic, reflecting exaggerated machismo and ecstasy, respectively (to comedic effect).
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Another of the most prominent filmmakers of After Hours are the Safdies, who featured The Weeknd in Uncut Gems. They also served as a link to Oneohtrix Point Never, who scored their last two films and later worked After Hours. I believe there are three major film tropes (not genres) that inspired After Hours, all of which the Safdies’s have engaged with. There is the one-long-night films, in which a character spends one-long-night on the run from whatever chaos and forces may be that they left in their path. This can be seen in the Good Time, as well as After Hours (the movie). Then, there is the descent-into-madness type, where a character slowly loses grip with reality and ends up in over their head (something like Scarface or Breaking Bad, but for our purposes Jacob’s Ladder can be categorized here as well), which the Safdies did with Uncut Gems. Lastly, but maybe most importantly, the Safdies also explored toxic romance (more on this later) in their less seen film Heaven Knows What, about two heroin addicts and the destructiveness their love brings out in each other, an idea that recurs throughout After Hours on songs like "Until I Bleed Out" and "Nothing Compares." A recurring song throughout Heaven Knows What is Isao Tomita’s synth version of Debussy’s "Claire De Lune", which is featured in some episodes of Memento Mori and bears some resemblance to the start of "Alone Again".
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Obsession/Toxic Romance
While love and lust and the ups and downs with it have been a formative part of The Weeknd’s ideology and themes, I don’t think it would be remiss to say that After Hours is perhaps his most outwardly romantic album. Despite this, one of the major arcs of the album is toxicity that comes with it, which a number of already mentioned films deal with. While "In Your Eyes" is one of the more romantic and accessible songs on the album, a re-assessment of it Ala Sting’s “Every Breathe You Take” could frame it as lonely obsessing, such as Travis Bickle’s infatuation with Jodie Foster’s teenage prostitute Iris, Joker's fixation on Murray Franklin, Rupert Pupkin’s obsession with Jerry Langford. Casino also deals with toxic romance, another prominent theme in After Hours, best seen in the love triangle that forms between Sam, his partner Nicky and his wife Ginger, played by Joe Pesci and Sharon Stone respectively.
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In almost all of the After Hours’s video content, The Weeknd seems to constantly meet his demise at the hands of women. Another interesting reference that may be something of a reach is to Phantom Thread, Paul Thomas Anderson’s film about Reynolds Woodcock, a couture dressmaker loosely based on Cristobal Balenciaga and his muse Alma, played by Daniel Day Lewis and Vicky Krieps, respectively. The film delves into their dysfunctional relationship, with Woodcock berating her and Alma poisoning his tea to keep him dependent on her. One of the highpoint of the film is a New Years Eve Party that bears strong resemblance to the "Until I Bleed Out" video. While the balloons may just be a callback to his earlier work, there is something about the color grading/temperature and the production design of the "Until I Bleed Out" video (as well as parts of the "Blinding Lights" video) that made me immediately think of Phantom Thread. A similar relationship is seen in the German horror film Der Fan, which The Weeknd has mentioned in a recent interview. In Der Fan, a young girl Simone spends her days obsessing over popstar R, until she finally encounters him outside his studio. The film is similar to the aforementioned Takashi Miike’s Audition in its exploration of obsession and idealization. In the film, an older man puts up a fake casting call to search for the perfect girlfriend. While Audition explores these themes from an Eastern perspective of societal pressure, Der Fan explores it through a Western lens of pop idolization and idealization. Both films deal with the idea that despite outward appearances, the perfect partner does not exist, and anyone that claims to be (or has the expectations put on them) is not who they seem.
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One film he has spoken at length about is Trouble Everyday, Claire Denis’s arthouse vampire movie. The film stars Vincent Gallo as Shane, a scientist who travels to Paris under the guise of his honeymoon to track down core, a woman who he was once obsessed with who has now become a vampire. Core is locked up in a basement but sometimes sneaks out to seduce and consume unwilling victims. This seems to be where some of the bloody face stuff comes from, but I believe it’s influence is a little more conceptual. To me, a good companion film to Trouble Everyday is American Psycho, which seems to also have been a thematic influence on After Hours. Both films concern idealized version of masculinity and femininity, both very sexual and physical, but hostile as well. American Psycho ends with Patrick Bateman confessing to the killing of a prostitute, but no one believe him. Trouble Everyday ends with Shane killing Core, but Shane is unable to arouse himself after that except through violence. Koji Wakamatsu, a former Yakuza turned prominent extreme Japanese filmmaker (and a major influence on Gaspar Noe) is quoted as saying “For me, violence, the body and sex are an integral part of life.” Despite being hollow, idealized impressions of the self, a vampire and as a banker (cold, seductive bloodsuckers = monsters), Patrick Bateman and Core represent the Frankenstein-ian relationship between sexuality and violence, which I believe is the main theme of After Hours. Truly, we hurt the ones we love.
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Postscript

To cap things off, I would just like to illuminate some key takeaways. As a filmmaker myself, this has been an extremely helpful exercise in understanding other artists process and ideas.
Steeped in the history of the medium…
It’s clear that The Weeknd is not your typical “I’m influenced by cinema” artist but an extremely legit film buff with serious credentials. The Weeknd’s film taste leans towards 70s-00s genre works, mostly horror, drama and thriller, and is well versed in the classics but also has the nose to sniff out deeper cuts and obscurities. The mantra of “good artists borrow, great artists steal” works even better if not many people know where you’re stealing from! What is impressive to me is that he is not just versed in “mainstream” obscurities, but also serious deep cuts. Films like Possession and Phantom of the Paradise may not stick out to the average person on the street but are well known in most film circles. Films like Inland Empire and New Rose Hotel (Der Fan was especially impressive to me, it is one of my favorite films) however are not as well known and it is very impressive to me that he can come across films like that, and really get enough out of it to bring into his own work.
…is able to interpolate contemporary/mainstream films…
This perhaps is one of the most impressive aspects of his integration of film into The Weeknd’s work. It is very easy for film buffs to get lost within their own obscure taste, living in a world where everyone is an idiot for not knowing who Shinya Tsukamoto. Trilogy and Kiss Land had a lot of contemporary obscurities, like Stalker, David Lynch etc., well known but they still existed as artifacts, not of the time we live in. However, perhaps picking something from his work on Fifty Shades of Grey, of late he has kept his finger on the zeitgeist and anticipated/integrated what the filmmakers of today are doing, such as his work on Black Panther and Game of Thrones, general appreciation of Tarantino, the works of Nicolas Winding Refn in Starboy, and his use of the Joker and Uncut Gems on After Hours, both of which came out just a few months before the album. It feels Jackson-esque, and I believe this is one thing that will help him further in his quest for pop stardom.
…while also being fully in tune to the works of modern transgressive auteurs…
In addition to keeping up with the mainstream is in touch with, The Weeknd also makes it a point to seek out and learn from the cutting edge filmmakers of today. While the Safdies were always going to blow up, I don’t doubt that a Weeknd co-sign accelerated their rise. Gaspar Noe is one thing, Enter the Void and Irreversible exist as masterpieces of the mainstream obscurities I’ve been mentioning, but he really truly tries to understand the heart of Noe’s work, even going so far back as to understand Noe’s influences (I sincerely hope he is tuned in to the work of Koji Wakamatsu). But most of all, to be a fan of Claire Denis is one thing, but to seek her out and make her an offer that she ACCEPTED is absolutely astounding to me. Just spitballing but it would be like if Michael Jackson shot a music video with Rainer Werner Fassbinder (who I’d bet good money that The Weeknd was put on to by Noe). We can only PRAY that one day we will be blessed with a David Lynch Weeknd video.
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…and that just about does it. Hope you enjoyed this and thanks for being patient with me. I got quite busy after the first two and had my own projects/work going that kept me occupied. As we’re still technically in the After Hours era, I also wanted to wait until a few more videos and interviews came out to aid me in my research.
I also wanted to find enough time to make the Letterboxd for this. I personally don’t love Letterboxd culture, I find the popular culture surrounding the site a bit snobbish and exclusive, but I’ve gotten a number of requests for one and you gotta give the people what they want. Throughout the list are a few films that he hasn’t mentioned but are some of my personal favorites and I believe Weeknd fans will like, I encourage you to accidentally stumble upon things on it. Don't overthink, just pick something and watch!
If you’d like to follow me further, you can find me on Instagram here, where I post about film reviews Letterboxd style. I prefer Instagram so that more average people see it instead of an echo chamber of film snobs. I am also a filmmaker myself, I just recently wrapped this short film and am currently in the process of putting together my next project.
The main reason I did this however, besides a general appreciation of The Weeknd’s work, was to put more people on to the beautiful art form that is cinema. One thing I learned from Scorsese is that one must be an advocate and truly champion your medium. I hope that this encourages to check out more interesting movies than they wouldn’t normally come across, and I hope this will inspire more people to create more as well, whether it be to write, make films, music, anything. If even one person picks up a pencil, a camera or a keyboard because of these posts, I will be satisfied.
Thanks all!

Best run in terms of anything
Quentin Tarantino: Pulp Fiction, Jackie Brown, and Reservoir Dogs.
Martin Scorsese: Goodfellas, Casino, Kundun, Cape Fear, The Age of Innocence, and Bringing Out the Dead.
Robert Altman: The Player, Short Cuts, Prêt-à-Porter, Kansas City, The Gingerbread Man, Cookie's Fortune, and Vincent & Theo.
Robert Redford: Quiz Show, The Horse Whisperer, and A River Runs Through It.
The Coen Brothers: Fargo, Miller's Crossing, The Big Lebowski, Barton Fink, and The Hudsucker Proxy.
Wong Kar Wai: Chungking Express, Days of Being Wild, Ashes of Time, Fallen Angels, and Happy Together.
Paul Thomas Anderson: Hard Eight, Boogie Nights, and Magnolia.
David Fincher: Alien 3, Se7en, Fight Club, and The Game.
Francis Ford Coppola: The Godfather 3, The Rainmaker, Jack, and Bram Stoker's Dracula.
Steven Spielberg: Hook, Jurassic Park, The Lost World, Amistad, Schindler's List, and Saving Private Ryan.
Claire Dennis: Beau Travail, No Fear, No Die, I Can't Sleep, and Nénette and Boni.
Richard Linklater: Before Sunrise, Slacker, Dazed and Confused, The Newton Boys, and SubUrbia.
Abbas Kiarostami: Close Up, Taste of Cherry, The Wind Will Carry Us, Life, and Nothing More..., and Through the Olive Trees.
Harold Ramis: Groundhog Day, Analyze This, Stuart Saves His Family, and Multiplicity.
Michael Mann: Heat, The Last of the Mohicans, and The Insider.
Wes Anderson: Bottle Rocket and Rushmore.
Todd Haynes: Safe, Velvet Goldmine, and Poison.
The Wachowskis: The Matrix and Bound.
Emir Kusturica: Underground, Arizona Dream, and Black Cat, White Cat.
Krzysztof Kieślowski: Three Colours Trilogy and Double Life of Veronique
Steven Soderbergh: Out of Sight, Gray's Anatomy, Schizopolis, The Limey, Kafka, King of the Hill, and The Underneath.
Jonathan Demme: Philadelphia, The Silence of the Lambs, and Beloved.
Robert Zemeckis: Forrest Gump, Death Becomes Her, Contact, and Back to the Future Part III.
Zhang Yimou: To Live, Raise the Red Lantern, Not One Less, The Story of Qiu Ju, Ju Dou, Keep Cool, Shanghai Triad, The Road Home, and Zhang Yimou.
Terence Davies: The Long Day Closes and The Neon Bible.
Clint Eastwood: Unforgiven, The Bridges of Madison County, True Crime, Absolute Power, The Rookie, White Hunter Black Heart, In the Line of Fire, and A Perfect World.
Lars Von Trier: Breaking the Waves, Europa, and The Idiots.
Hirokazu Kore-eda: After Life, However..., Lessons from a Calf, August without Him, and Maborosi.
Gus Van Sant: My Own Private Idaho, To Die For, Good Will Hunting, Psycho, and Even Cowgirls Get the Blues.
David Lynch: Lost Highway, The Straight Story, Wild at Heart, and Twin Peaks: Fire Walk with Me.
Amy Heckerling: Clueless and Look Who's Talking Too.
Kathryn Bigelow: Point Blank, Strange Days, and Blue Steel.
Thomas Vinterberg: Festen, Last Round, The Boy Who Walked Backwards, and The Biggest Heroes.
Julie Dash: Daughters of the Dust, Funny Valentines, and Praise House.
Pedro Almodóvar: All About my Mother, Tie Me Up! Tie Me Down!, Live Flesh, High Heels, Kika, and The Flower of My Secret.
Jan De Bont: Speed 1 & 2, Twister, and The Haunting.
Oliver Stone: JFK, Nixon, Heaven & Earth, Natural Born Killers, The Doors, Any Given Sunday, and U Turn.
Rob Reiner: Misery, A Few Good Men, The American President, Ghosts of Mississippi, and The Story of Us.
Paul Verhoeven: Basic Instinct, Showgirls, Total Recall, and Starship Troopers.
Danny Boyle: Trainspotting, Shallow Grave, and A Life Less Ordinary.
Tim Burton: Edward Scissorhands, Ed Wood, The Nightmare Before Christmas, Sleepy Hollow, Batman Returns, and Mars Attacks!.
Ang Lee: Pushing Hands, Sense and Sensibility, The Ice Storm, Eat Drink Man Woman, The Wedding Banquet, and Ride with the Devil.
Jane Campion: The Piano, An Angel at My Table, The Portrait of a Lady, and Holy Smoke!.
Frank Darabont: The Shawshank Redemption and The Green Mile.
Lasse Hallström: What's Eating Gilbert Grape, Once Around, The Cider House Rules, and Something to Talk About.
Jim Jarmusch: Dead Man, Ghost Dog: The Way of the Samurai, Night on Earth, and Year of the Horse.
M. Night Shyamalan: The Sixth Sense, Praying with Anger, and Wide Awake.
Luc Besson: La Femme Nikita, Atlantis, Léon: The Professional, The Fifth Element, and The Messenger: The Story of Joan of Arc.
Alan Parker: The Commitments, Evita, Come See the Paradise, Angela's Ashes, and The Road to Wellville.
Terry Gilliam: The Fisher King, Fear and Loathing in Las Vegas, and 12 Monkeys.
Mike Leigh: Naked, Secrets and Lies, Topsy-Turvy, Life Is Sweet, and Career Girls.
Peter Jackson: Braindead, Heavenly Creatures, Forgotten Silver, and The Frighteners.
Martin Brest: Scent of a Woman, Meet Joe Black, and Josh and S.A.M.
Woody Allen: Everyone Says I Love You, Alice, Shadows and Fog, Husbands and Wives, Manhattan Murder Mystery, Mighty Aphrodite, Celebrity, Sweet and Lowdown, and Deconstructing Harry.
Ridley Scott: Thelma & Louise, G.I. Jane, White Squall, and 1492: Conquest of Paradise.
Bryan Singer: Apt Pupil, The Usual Suspects, and Public Access.
Kenneth Branagh: Othello, Much Ado About Nothing, Hamlet, Mary Shelley's Frankenstein, In the Bleak Midwinter, Dead Again, and Peter's Friends.
Theodoros Angelopoulos: Eternity and a Day, Ulysses' Gaze, and The Suspended Step of the Stork.
Spike Lee: Crooklyn, Malcolm X, Girl 6, Summer of Sam, Get on the Bus, Clockers, He Got Game, Mo' Better Blues, and Jungle Fever.
Radu Mihaileanu: Trahir, Bonjour Antoine, and Train of Life.
Richard Attenborough: Grey Owl, In Love and War, Chaplin, and Shadowlands.
Tony Scott: The Last Boy Scout, True Romance, Crimson Tide, The Fan, Enemy of the State, Days of Thunder, and Revenge.
Eric Rohmer: L'Arbre, le maire et la médiathèque and Les Rendez-vous de Paris.
Jacques Rivette: Up, Down, Fragile, Secret Defense, La Belle Noiseuse, and Joan the Maid.
Edward Yang: A Brighter Summer Day, A Confucian Confusion, and Mahjong.
Michael Haneke: Benny's Video, Funny Games, and 71 Fragments of a Chronology of Chance.
Farrelly brothers: Kingpin, Dumb and Dumber, and There's Something About Mary.
David Cronenberg : Naked Lunch, eXistenZ, Crash, and M. Butterfly.
Takeshi Kitano: Sonatine, Fireworks, Kikujiro and Kid's Return
Alex Cox: El Patrullero, Three Businessmen, The Winner, and Death and the Compass.
Atom Egoyan: Calendar, Exotica, The Sweet Hereafter, Felicia's Journey, and The Adjuster.
Manoel de Oliveira: The Divine Comedy, The Letter, Anxiety, Voyage to the Beginning of the World, Party, A Caixa, Abraham's Valley, The Convent, No, or the Vain Glory of Command, Day of Despair, and The Letter.
Dardenne brothers: Rosetta, Je pense à vous, and La Promesse
Jacques Rivette: La Belle Noiseuse, Top Secret, Up, Down, Fragile, and Joan the Maid.
Kiyoshi Kurosawa: Cure, Charisma, The Guard from Underground, Barren Illusions, and License to Live.
Jafar Panahi: The White Balloon and The Mirror.
Tsai Ming-liang: The River, Vive L'Amour, The Hole, and Rebels of the Neon God.
Hou Hsiao-hsien: The Puppetmaster, Flowers of Shanghai, Good Men, Good Women, and Goodbye South, Goodbye.
Leos Carax: Les Amants du Pont-Neuf, Sans Titre, and Pola X.
John Woo: Hard Boiled, Bullet in the Head, Hard Target, Once a Thief, Face/Off, and Broken Arrow.
Olivier Assayas: Cold Water, A New Life, Irma Vep, Tous les garçons et les filles de leur âge..., Paris Awakens, Cinéma, de notre temps, Alice and Martin, Man Yuk: A Portrait of Maggie Cheung, Late August, Early September, and Filha da Mãe.
Roman Polanski: Bitter Moon, Death and the Maiden, and The Ninth Gate.
Brian De Palma: Carlito’s Way, The Bonfire of the Vanities, Raising Cain, Snake Eyes, and Mission: Impossible.
Werner Herzog: Lessons of Darkness, My Best Fiend, Little Dieter Needs to Fly, and Scream of Stone.
Cameron Crowe: Singles and Jerry Maguire.
Alexander Sokurov: The Stone, Whispering Pages, Mother and Son, Moloch, and The Second Circle.
Mohsen Makhmalbaf: Hello Cinema, Gabbeh, The Silence, The School the Wind Blew Away, Tales of Kish, A Moment of Innocence, Time of Love, Images from the Qajar Period, The Nights of Zayande-rood, Once Upon a Time, Cinema, Actor, and Stone and Glass
Hayao Miyazaki: Princess Mononoke, Porco Rosso, and On Your Mark.
Jean Luc Godard: Nouvelle Vague, JLG/JLG – Self-Portrait in December, New Wave, Hélas pour moi, For Ever Mozart, Germany Year 90 Nine Zero, Les Enfants jouent à la Russie, and Histoire(s) du Cinéma.
Alexander Payne: Election and Citizen Ruth.
James Foley: Glengarry Glen Ross, The Chamber, Two Bits, After Dark, My Sweet, The Corruptor, and Fear.
Whit Stillman: The Last Days of Disco, Metropolitan, and Barcelona.

Best run in terms of anything
Quentin Tarantino: Pulp Fiction, Jackie Brown, and Reservoir Dogs.
Martin Scorsese: Goodfellas, Casino, Kundun, Cape Fear, The Age of Innocence, and Bringing Out the Dead.
Robert Altman: The Player, Short Cuts, Prêt-à-Porter, Kansas City, The Gingerbread Man, Cookie's Fortune, and Vincent & Theo.
Robert Redford: Quiz Show, The Horse Whisperer, and A River Runs Through It.
The Coen Brothers: Fargo, Miller's Crossing, The Big Lebowski, Barton Fink, and The Hudsucker Proxy.
Wong Kar Wai: Chungking Express, Days of Being Wild, Ashes of Time, Fallen Angels, and Happy Together.
Paul Thomas Anderson: Hard Eight, Boogie Nights, and Magnolia.
David Fincher: Alien 3, Se7en, Fight Club, and The Game.
Francis Ford Coppola: The Godfather 3, The Rainmaker, Jack, and Bram Stoker's Dracula.
Steven Spielberg: Hook, Jurassic Park, The Lost World, Amistad, Schindler's List, and Saving Private Ryan.
Claire Dennis: Beau Travail, No Fear, No Die, I Can't Sleep, and Nénette and Boni.
Richard Linklater: Before Sunrise, Slacker, Dazed and Confused, The Newton Boys, and SubUrbia.
Abbas Kiarostami: Close Up, Taste of Cherry, The Wind Will Carry Us, Life, and Nothing More..., and Through the Olive Trees.
Harold Ramis: Groundhog Day, Analyze This, Stuart Saves His Family, and Multiplicity.
Michael Mann: Heat, The Last of the Mohicans, and The Insider.
Wes Anderson: Bottle Rocket and Rushmore.
Todd Haynes: Safe, Velvet Goldmine, and Poison.
The Wachowskis: The Matrix and Bound.
Emir Kusturica: Underground, Arizona Dream, and Black Cat, White Cat.
Krzysztof Kieślowski: Three Colours Trilogy and Double Life of Veronique
Steven Soderbergh: Out of Sight, Gray's Anatomy, Schizopolis, The Limey, Kafka, King of the Hill, and The Underneath.
Jonathan Demme: Philadelphia, The Silence of the Lambs, and Beloved.
Robert Zemeckis: Forrest Gump, Death Becomes Her, Contact, and Back to the Future Part III.
Zhang Yimou: To Live, Raise the Red Lantern, Not One Less, The Story of Qiu Ju, Ju Dou, Keep Cool, Shanghai Triad, The Road Home, and Zhang Yimou.
Terence Davies: The Long Day Closes and The Neon Bible.
Clint Eastwood: Unforgiven, The Bridges of Madison County, True Crime, Absolute Power, The Rookie, White Hunter Black Heart, In the Line of Fire, and A Perfect World.
Lars Von Trier: Breaking the Waves, Europa, and The Idiots.
Hirokazu Kore-eda: After Life, However..., Lessons from a Calf, August without Him, and Maborosi.
Gus Van Sant: My Own Private Idaho, To Die For, Good Will Hunting, Psycho, and Even Cowgirls Get the Blues.
David Lynch: Lost Highway, The Straight Story, Wild at Heart, and Twin Peaks: Fire Walk with Me.
Amy Heckerling: Clueless and Look Who's Talking Too.
Kathryn Bigelow: Point Blank, Strange Days, and Blue Steel.
Thomas Vinterberg: Festen, Last Round, The Boy Who Walked Backwards, and The Biggest Heroes.
Julie Dash: Daughters of the Dust, Funny Valentines, and Praise House.
Pedro Almodóvar: All About my Mother, Tie Me Up! Tie Me Down!, Live Flesh, High Heels, Kika, and The Flower of My Secret.
Jan De Bont: Speed 1 & 2, Twister, and The Haunting.
Oliver Stone: JFK, Nixon, Heaven & Earth, Natural Born Killers, The Doors, Any Given Sunday, and U Turn.
Rob Reiner: Misery, A Few Good Men, The American President, Ghosts of Mississippi, and The Story of Us.
Paul Verhoeven: Basic Instinct, Showgirls, Total Recall, and Starship Troopers.
Danny Boyle: Trainspotting, Shallow Grave, and A Life Less Ordinary.
Tim Burton: Edward Scissorhands, Ed Wood, The Nightmare Before Christmas, Sleepy Hollow, Batman Returns, and Mars Attacks!.
Ang Lee: Pushing Hands, Sense and Sensibility, The Ice Storm, Eat Drink Man Woman, The Wedding Banquet, and Ride with the Devil.
Jane Campion: The Piano, An Angel at My Table, The Portrait of a Lady, and Holy Smoke!.
Frank Darabont: The Shawshank Redemption and The Green Mile.
Lasse Hallström: What's Eating Gilbert Grape, Once Around, The Cider House Rules, and Something to Talk About.
Jim Jarmusch: Dead Man, Ghost Dog: The Way of the Samurai, Night on Earth, and Year of the Horse.
M. Night Shyamalan: The Sixth Sense, Praying with Anger, and Wide Awake.
Luc Besson: La Femme Nikita, Atlantis, Léon: The Professional, The Fifth Element, and The Messenger: The Story of Joan of Arc.
Alan Parker: The Commitments, Evita, Come See the Paradise, Angela's Ashes, and The Road to Wellville.
Terry Gilliam: The Fisher King, Fear and Loathing in Las Vegas, and 12 Monkeys.
Mike Leigh: Naked, Secrets and Lies, Topsy-Turvy, Life Is Sweet, and Career Girls.
Peter Jackson: Braindead, Heavenly Creatures, Forgotten Silver, and The Frighteners.
Martin Brest: Scent of a Woman, Meet Joe Black, and Josh and S.A.M.
Woody Allen: Everyone Says I Love You, Alice, Shadows and Fog, Husbands and Wives, Manhattan Murder Mystery, Mighty Aphrodite, Celebrity, Sweet and Lowdown, and Deconstructing Harry.
Ridley Scott: Thelma & Louise, G.I. Jane, White Squall, and 1492: Conquest of Paradise.
Bryan Singer: Apt Pupil, The Usual Suspects, and Public Access.
Kenneth Branagh: Othello, Much Ado About Nothing, Hamlet, Mary Shelley's Frankenstein, In the Bleak Midwinter, Dead Again, and Peter's Friends.
Theodoros Angelopoulos: Eternity and a Day, Ulysses' Gaze, and The Suspended Step of the Stork.
Spike Lee: Crooklyn, Malcolm X, Girl 6, Summer of Sam, Get on the Bus, Clockers, He Got Game, Mo' Better Blues, and Jungle Fever.
Radu Mihaileanu: Trahir, Bonjour Antoine, and Train of Life.
Richard Attenborough: Grey Owl, In Love and War, Chaplin, and Shadowlands.
Tony Scott: The Last Boy Scout, True Romance, Crimson Tide, The Fan, Enemy of the State, Days of Thunder, and Revenge.
Eric Rohmer: L'Arbre, le maire et la médiathèque and Les Rendez-vous de Paris.
Jacques Rivette: Up, Down, Fragile, Secret Defense, La Belle Noiseuse, and Joan the Maid.
Edward Yang: A Brighter Summer Day, A Confucian Confusion, and Mahjong.
Michael Haneke: Benny's Video, Funny Games, and 71 Fragments of a Chronology of Chance.
Farrelly brothers: Kingpin, Dumb and Dumber, and There's Something About Mary.
David Cronenberg : Naked Lunch, eXistenZ, Crash, and M. Butterfly.
Takeshi Kitano: Sonatine, Fireworks, Kikujiro and Kid'sReturn
Alex Cox: El Patrullero, Three Businessmen, The Winner, and Death and the Compass.
Atom Egoyan: Calendar, Exotica, The Sweet Hereafter, Felicia's Journey, and The Adjuster.
Manoel de Oliveira: The Divine Comedy, The Letter, Anxiety, Voyage to the Beginning of the World, Party, A Caixa, Abraham's Valley, The Convent, No, or the Vain Glory of Command, Day of Despair, and The Letter.
Dardenne brothers: Rosetta, Je pense à vous, and La Promesse
Jacques Rivette: La Belle Noiseuse, Top Secret, Up, Down, Fragile, and Joan the Maid.
Kiyoshi Kurosawa: Cure, Charisma, The Guard from Underground, Barren Illusions, and License to Live.
Jafar Panahi: The White Balloon and The Mirror.
Tsai Ming-liang: The River, Vive L'Amour, The Hole, and Rebels of the Neon God.
Hou Hsiao-hsien: The Puppetmaster, Flowers of Shanghai, Good Men, Good Women, and Goodbye South, Goodbye.
Leos Carax: Les Amants du Pont-Neuf, Sans Titre, and Pola X.
John Woo: Hard Boiled, Bullet in the Head, Hard Target, Once a Thief, Face/Off, and Broken Arrow.
Olivier Assayas: Cold Water, A New Life, Irma Vep, Tous les garçons et les filles de leur âge..., Paris Awakens, Cinéma, de notre temps, Alice and Martin, Man Yuk: A Portrait of Maggie Cheung, Late August, Early September, and Filha da Mãe.
Roman Polanski: Bitter Moon, Death and the Maiden, and The Ninth Gate.
Brian De Palma: Carlito’s Way, The Bonfire of the Vanities, Raising Cain, Snake Eyes, and Mission: Impossible.
Werner Herzog: Lessons of Darkness, My Best Fiend, Little Dieter Needs to Fly, and Scream of Stone.
Cameron Crowe: Singles and Jerry Maguire.
Alexander Sokurov: The Stone, Whispering Pages, Mother and Son, Moloch, and The Second Circle.
Mohsen Makhmalbaf: Hello Cinema, Gabbeh, The Silence, The School the Wind Blew Away, Tales of Kish, A Moment of Innocence, Time of Love, Images from the Qajar Period, The Nights of Zayande-rood, Once Upon a Time, Cinema, Actor, and Stone and Glass
Hayao Miyazaki: Princess Mononoke, Porco Rosso, and On Your Mark.
Jean Luc Godard: Nouvelle Vague, JLG/JLG – Self-Portrait in December, New Wave, Hélas pour moi, For Ever Mozart, Germany Year 90 Nine Zero, Les Enfants jouent à la Russie, and Histoire(s) du Cinéma.
Alexander Payne: Election and Citizen Ruth.
James Foley: Glengarry Glen Ross, The Chamber, The Corruptor, Two Bits, After Dark, My Sweet, and Fear.
James Mangold: Heavy, Cop Land, and Girl, Interrupted.
Whit Stillman: The Last Days of Disco, Metropolitan, and Barcelona.

Last week, we officially announced that we are partnering with the decentralized gaming platform WINk to bring a fresh new crypto experience for our customers! We’re very glad to have WINk’s CEO- Lucia Wong here for today’s AMA. Let’s dive deeper into the integration of Poloniex and WINk, and find out your exclusive benefits on WINk with your Poloniex account! Welcome, Lucia!
1. Some users may not be familiar with WINk, can you give them a brief introduction first?
WINk, the King of Staking, aims to build on its market position as the leading blockchain gaming platform through the consistent introduction of high-quality decentralized applications (DApps). The Player always WINs at WINk.
How so?
Well, WINk has revolutionized the relationship with its customers and through its revenue-sharing model has turned players from cash cows into cash partners, if you will. By playing on WINk, you will become one of the "shareholders" in this World Leading blockchain gaming platform.
2. Interesting! Could you share with us WINk's profit-sharing business model?
Of course! For those new to blockchain, the decentralized revenue sharing model can appear confusing but it has the potential to transform not only online gaming but potentially all industries.
The easiest way to explain it is to consider a traditional site such as Betfair which has separate loyalty schemes for each of its platforms. You earn points based on how much you spend which either earns you discounts on commission or cashback. Where WINk differs is that playing on each section of the site earns you tokens which in turn earn you a daily share of the platform's future revenue. Every day, without fail, forever.
And how can users benefit from it?
The more you play the more tokens you earn. Even a losing session on WINk results in the player walking away owning a small part of the platform. Nobody likes losing, but with this model, even after a loss, there’s the comfort that you’ll start to earn this back the very next day. WINk shares a whopping 65% of its daily revenue with its token holders. This is a phenomenal percentage compared to the negligible amount that most online casinos spend on bonuses and cashback with the ultimate aim of taking it back again from the player.
Every day at the same time the daily profits are shared with the token holders and arrive in their wallet. Players receive daily dividends in three separate currencies; TRX, BTT, and, USDT and can then choose to spend, invest, or gamble their daily earnings however they see fit. For many WINk players and token holders, the first thing they’ll do after waking up is to check their daily dividend. Players effectively become the house owning their own slice of an online casino.
Until recently this wouldn't have even been possible. The costs of managing such a scheme would have been so prohibitive both cost-wise and from an administrative point of view that it would have been impossible to implement. Through the invention of the blockchain and smart contracts, this can now happen automatically at negligible cost.
3. Can you tell us more about the drops and earnings？
So, WINk has four tokens. WIN the main flagship token and the three sub tokens; DICE, Live, and Rake.
WINk is made up of three separate DApps. Dice, consisting of on-chain games of chance. Permissionless and provably fair that anyone with a Tron wallet can play. Live, the casino section with slots, table games, and sports betting that requires some registration to play, and Rake the online poker platform.
Each section has its own token which you mine through play and each section has its own drop pool so you can see in full transparency how much the DApp has made so far that day. At a set time every day, the pool pays out to token holders with the lion's share going to the sub token holders and a percentage feeding into the overall WIN Pool.
WINk’s flagship token WIN cannot be mined, it can only be purchased on exchanges. It was the first gaming IEO to launch on the notoriously selective Binance Launchpad.
From July of 2019 to now, WINk distributed about 3.78 billion TRX in drops to the WIN/DICE/LIVE/RAKE holders in total, here is the specific data:
Total Drops $TRX
WIN 1,018,171,534.76
DICE 1,219,829,152.61
LIVE 1,392,691,389.00
RAKE 148,711,109.00
At a mining cost of 3 TRX per DICE, the APR based on the 4 worst performing months for Dicedrops is 49% in the last 12 months. The APR is 24% for Livedrops in the last 15 months based on the 4 worst performing months at a mining cost of 3 TRX per Live.
The Dice token has a total supply of 1,000,000,000 and it’s current circulating supply is 395 million. The total supply will never be increased and supply is only released into circulation through wagering. DICE holders share 51% of the Gross Gaming Revenue (GGR) of all games under the Dice section.
The maximum supply of the LIVE Token is capped at 999,999,999. The current circulating supply of LIVE is 334 million. LIVE holders share 49.47% of the GGR of all games under the Live section.
The DICE token is already listed on PoloniDEX, with a price between 1.5-2.3 TRX. The LIVE token has been listed on exchanges too. With the Poloniex wallet integrated on WINk, more cryptocurrencies will be used for wagering and we expect this to attract more players to the platform. We can, therefore, expect a greater ROI for WIN, DICE, and LIVE tokens.
There are also tools available to track drops such as https://antescan.live and https://winkscan.live
Here are additional resources to help you make sense of the APR of $WIN and $DICE token at various prices and amounts frozen. In the past 12 months, the daily average Dicedrop and Windrop pools have been around 1,000,000 TRX or better.
https://preview.redd.it/0efhu4v4crj51.png?width=602&format=png&auto=webp&s=efb8f934f7f4e50ce326faffe478b1ce704c557b
https://preview.redd.it/gze8erl8crj51.png?width=602&format=png&auto=webp&s=3bd55f1a9cb2a1508593f9c0909201a6e254b222
4. Poloniex and WINk recently launched a new integration feature. Could you share with us what are some 'Poloniex exclusive' benefits?
Of course! So with this amazing integration, Poloniex users are now able to log directly into http://tron.wink.org/ with their Poloniex Wallet and play with any of the over 100 digital assets listed on Poloniex. In return, you will be able to exchange your winnings on Poloniex. As the exchange lists new assets, you will be able to use them to play on WINk’s platform.
WINk will have exclusive benefits for Poloniex users to experience. There will be many events hosted by WINk and we happily invite Poloniex users to participate!
Exclusive Benefit 1 for Poloniex Users:

Login http://tron.wink.org/ with your Poloniex account.
Games: all games under Live Section
Live tokens will be distributed to your account directly.
Live tokens already listed and can be traded on PoloniDEX

Exclusive Benefit 2 for Poloniex Users:
● An amazing Tesla event will be ready next week with daily great prizes.
● More details will be announced on WINk’s Twitter https://twitter.com/WINkorg
● Stay Tuned!
5. That sounds great. Could you tell us a bit more about WINk's games?
WINk plans to be uniquely positioned in the online gaming industry. Sports betting, casinos, and poker account for over 80% of the market share of online entertainment. WINk is developing products in all these markets and more.
We have popular games related to sports, cards, games modeled on game shows, and more!
We also have an e-gaming section:
This is the fully decentralized section of WINk games. Players can choose between Dice, Moon, Ring, and Mine games. Being fully decentralized means users have custody of their tokens and winnings are paid into their wallets instantaneously. WINk pays the energy fees for players since all gameplay uses smart contract transactions.
Check out https://tron.wink.org/ for check out on all available games!
6. Exciting! So can you introduce WINk’s Social System for games and VIP service?
Yes, we understand the importance of social components in gaming, we have an account creation system, onsite player chat function, player rankings, incentivized leaderboards, and more. Our goal is to foster a sense of community where users can come together to share ideas about gaming, crypto, or whatever else they wish to discuss. We will begin introducing further upgrades to develop platform growth, such as exclusive privileges based on player levels — including but not limited to, a point system in which points can be exchanged for various prizes such as increased mining bonuses and free bets.
We also have a VIP chat room based on the player rankings and the token amount held.
We have dedicated support in the group to channel their feedback, suggestions, and address problems. We will discuss with the VIP users on project decisions and inform them of key information ahead of time. They will also be invited to test new games early.
7. Those are some great features. Can you explain the advantages of the WINk platform?
OK, in contrast with more centralized gaming platforms, the TRON-based platform WINk provides a unique user experience:
(1) Auditable smart contracts: as the back-end of the games are deployed in a publicly viewable smart contract, smart contracts can be audited. This provides much greater transparency than traditional online casinos.
(2) Self-custody: most games allow users to maintain complete custody of their funds.
(3) Token rewards: users will receive cryptographic tokens and other rewards for playing.
The “mine” model on WINk will also allow more users to participate in the WINK project, purely by choosing WINk for their gameplay. Due to this model, the benefits of the WINK platform are shared with everyone. Whether your tokens are WIN tokens that are purchased on an exchange or DICE LIVE and RAKE tokens obtained by playing.
8. What benefits will this partnership bring for WINk and Poloniex?
The integration will make WINk the first-ever blockchain-based entertainment platform to support over 100 digital assets, and direct millions of potential players to WINk, fast-tracking its already impressive growth.
Poloniex is one of the oldest digital asset exchanges and is widely popular with users for its technical strength and security. The partnership with WINk is an exciting move for the time-honored exchange to expand its strategic landscape. Fully leveraging the dual nature of digital assets, namely for transaction and usage, Poloniex also reaches out to the DApp field. Thus, Poloniex users will be able to enjoy the blockchain-based entertainment provided by WINk, along with a cutting edge trading experience.
That’s all for today’s AMA, thank you very much, Lucia, we look forward to collaborating with WINk and bring more benefits and rewards for our Poloniex users!

I'm an avid reader and have scoured my local used book stores and thrift shops for books about craps.
I've picked up the following:

"Winning Casino Craps" by Edwin Siberstang
"Casino Craps: Shoot to Win!" by Frank Scoblete and Dominator
"Cutting Edge Craps: Advanced Strategies for Serious Players" by Frank Scoblete and Dominator
"Beat the Craps out of the Casinos: How to Play and Win!" by Frank Scoblete
"Wong on Dice" by Stanford Wong
"Advanced Craps: The Advanced Player's Guide to Winning" by John Patrick

I read through a few in short order, but quickly realized that all of them spend a few chapters on the basics of the game(including table layout, basic and advanced bets, odds, house advantage, etc.), offer some background information about the casinos and/or the gaming industry, and ultimately share an anecdote about one particularly great roll (or series of rolls) that demonstrates the effectiveness of their teachings. After one or two, it's all very repetitive, and my enthusiasm for reading more of it has waned a bit.
"Winning Casino Craps" is old and the information feels fairly outdated (copyright 1980). I think it shows that the game has evolved since the book was written. The book claims, "By the time you finish reading, you're going to know as much about craps as anyone who is involved with the game, and I include casino managers, pit bosses and dealers in this category." That statement is false, and I really hope casino personnel know more than this book.
The trio of Frank Scoblete and Dominator books are basically a rehashing of the same information x3. All of them give the same spiel - Use the Captain's 5-count, avoid "ploppy" (aka high house advantage/low probability) bets, and learn to control the dice and bet accordingly. I'm a dice control skeptic, but "I Want to Believe." There are a lot of words devoted to learning to establish your throw and how to 'fix' it when you see certain outcomes. I admit, I skimmed those chapters. "Casino Craps: Shoot to Win!" included a DVD. I had to dig the DVD player out of the basement. It wasn't worth the time to dig it out of the basement.
I haven't gotten to Wong's book yet. I'm intrigued, though. As the man for whom a style of advantage Blackjack play has been named, I put a little more credence in his opinion on dice control. He worked with the Golden Touch guys (Scoblete and Dominator) to learn his throw, and wrote a book about it. My understanding is that he has since softened his stance on dice control a bit...
I don't know anything about the John Patrick book. I found it in a thrift shop. It's pretty substantial, though. I just haven't gotten the enthusiasm to open it yet. Copyright is 1995. Curious how it's holding up.
Are there any others out there that you would recommend?

Kindly note that the price range mentioned above is only for the books in the megathread list. Any requested books unavailable in the list can cost more, so please do not make any wrong assumptions.
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Please find the list below:

Psychology, 5th Australian and New Zealand Edition with CyberPsych: Lorelle J. Burton & Drew Westen & Robin M. Kowalski
Personal Finance, 2nd Edition: Robert B. Walker & Kristy Walker
Introduction to Chemical Engineering Thermodynamics, 8th Edition: J.M. Smith
University Calculus: Early Transcendentals, 4th Edition: Joel R. Hass & Christopher E. Heil & Przemyslaw Bogacki & Maurice D. Weir
Experience Communication, 2nd Edition: Jeffrey T. Child & Judy C. Pearson & Paul E Nelson
VLSI Design Methodology Development, 1st Edition: Thomas Dillinger
Work in the 21st Century: An Introduction to Industrial and Organizational Psychology, 6th Edition: Jeffrey M. Conte & Frank J. Landy
Blueprints Neurology (Blueprints Series), Fifth Edition: Frank Drislane
Lippincott Review: Pediatric Nursing, Fifth Edition: Mary Muscari
The St. Martin's Guide to Writing, Twelfth Edition: Rise B. Axelrod & Charles R. Cooper
GMAT Prep Plus 2020: 6 Practice Tests + Proven Strategies + Online + Mobile: Kaplan Test Prep
Personal Finance, Fourth Canadian Edition (4th Edition): Jeff Madura & Hardeep Singh Gill
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Dimensions of Human Behavior: Person and Environment, Sixth Edition: Elizabeth D. Hutchison
International Law: Cases and Materials with Australian Perspectives, 3rd Edition: Donald R Rothwell & Stuart Kaye & Afshin Akhtar-Khavari
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MATLAB for Engineering Applications, 4th Edition: William J Palm III
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Solitary: The Inside Story of Supermax Isolation and How We Can Abolish It, First Edition: Terry Allen Kupers
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Longitudinal Data Analysis for the Behavioral Sciences Using R, 1st Edition: Jeffrey D. Long
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CEN Review Book and Study Guide 2019-2020: Comprehensive Certified Emergency Nursing Exam Prep and Practice Test Questions: Ascencia Nursing Exam Prep Team
Modern Advanced Accounting in Canada: 9th Canadian Edition: Darrell Herauf & Murray Hilton
Clinical Companion to Medical-Surgical Nursing, 10th Edition: Sharon L. Lewis & Debra Hagler & Linda Bucher
Games and Decisions: Introduction and Critical Survey, Revised Edition: R. Duncan Luce & Howard Raiffa
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Rapid Access Guide for Triage and Emergency Nurses: Chief Complaints with High Risk Presentations: Lynn Sayre Visser & Anna Sivo Montejano
Learning PHP, MySQL & JavaScript: With jQuery, CSS & HTML5, 5th Edition: Robin Nixon
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An Ethics Casebook for Hospitals: Practical Approaches to Everyday Ethics Consultations, 2nd Edition: Mark G. Kuczewski & Rosa Lynn B. Pinkus & Katherine Wasson
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Canadian Tax Principles, 2018-2019 Edition, Volume 1: Clarence Byrd
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American Government: Roots and Reform, 2018 Elections and Updates Edition, 13th Edition: Karen O'Connor & Larry J. Sabato
Canadian Tax Principles 2018-2019 Edition, Volume 2: Clarence Byrd & Ida Chen
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Fixed Income Analysis Workbook (CFA Institute Investment Series 7), 2nd Edition: Frank J. Fabozzi
The Business Student's Guide to Sustainable Management, 2nd Edition: Petra Molthan-Hill
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Classroom Management for Students With Emotional and Behavioral Disorders: A Step-by-Step Guide for Educators, 1st Edition: Roger Pierangelo & George A. Giuliani
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The Bedford Reader, 13th Edition: X. J. Kennedy & Dorothy M. Kennedy & Jane E. Aaron & Ellen Kuhl Repetto
Introducing Human Geographies, 3rd Edition: Paul Cloke & Philip Crang & Mark Goodwin
Emerging: Contemporary Readings for Writers, 4th Edition: Barclay Barrios
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Physical Chemistry: Principles and Applications in Biological Sciences, 5th Edition: Tinoco & Sauer & James & Joseph & Harbison & Rovnyak
A Pocket Style Manual, 8th Edition: Diana Hacker & Nancy Sommers
Toward a New Psychology of Women, 2nd Edition: Jean Baker Miller
Campbell Essential Biology, 7th Edition: Eric J. Simon & Jean L. Dickey & Jane B. Reece
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Management and Leadership for Nurse Administrators, 8th Edition: Linda A. Roussel & Tricia Thomas & James L. Harris
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Fenway Guide to Lesbian, Gay, Bisexual & Transgender Health, 1st Edition: Harvey J. Makadon & Kenneth H. Mayer & Jennifer Potter & Hilary Goldhammer
America: A Concise History, Volume 1, 6th Edition: James A. Henretta & Rebecca Edwards & Robert O. Self & Eric Hinderaker
The McGraw-Hill Reader: Issues Across the Disciplines, 11th Edition: Gilbert Muller
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Basic Business Statistics: Concepts and Applications, 12th Edition: Mark L. Berenson & David M. Levine & Timothy C. Krehbiel
Mathematics with Applications In the Management, Natural and Social Sciences, 11th Edition: Margaret L. Lial & Thomas W. Hungerford & John P. Holcomb & Bernadette Mullins
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Statistics and Data Analysis for Social Science, 2nd Edition: Eric Jon Krieg
The Powerscore LSAT Logic Games Bible Workbook Revised, Workbook Edition: David M. Killoran
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The PowerScore Digital LSAT Logic Games Bible (Powerscore Test Preparation), 2020th Edition: David M. Killoran
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Social Injustice and Public Health, 3rd Edition: Barry S. Levy
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Understanding Pathophysiology, 1st Canadian Edition: Sue E. Huether & Kathryn L. McCance & Mohamed Toufic El-Hussein
Microeconomics, Sixteenth Canadian Edition: Christopher T.S. Ragan
Corporate Finance, Fourth Canadian Edition: Jonathan Berk & Peter DeMarzo & David Stangeland
Learning & Behavior, 8th Edition: James E. Mazur
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Interrupting Racism: Equity and Social Justice in School Counseling, 1st Edition: Rebecca Atkins & Alicia Oglesby
Business Communication: Process and Product, 6th Brief Canadian Edition: Mary Guffey & Dana Loewy & Esther Griffin
Engineering Economic Analysis, 14th Edition: Don Newnan & Ted Eschenbach & Jerome Lavelle & Neal Lewis
Introduction to Criminology: Theories, Methods, and Criminal Behavior, 10th Edition: Frank E. Hagan & Leah E. Daigle
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Simon & Schuster Handbook for Writers, Sixth Canadian Edition: Lynn Quitman Troyka
Software Requirements (Developer Best Practices), 3rd Edition: Karl Wiegers & Joy Beatty
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The First Interview, 4th Edition: James Morrison
Hope and Healing in Urban Education: How Urban Activists and Teachers are Reclaiming Matters of the Heart, 1st Edition: Shawn Ginwright
Nutrition for Sport and Exercise, 4th Edition: Marie Dunford & J. Andrew Doyle
A Practical Guide to Acceptance and Commitment Therapy, 2004th Edition: Steven C. Hayes & Kirk D. Strosahl
Biological Science, 5th Edition: Scott Freeman & Kim Quillin & Lizabeth Allison
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American Homicide, First Edition: Richard M. Hough
Becoming America, Volume II: From Reconstruction, 1st Edition: David Henkin & Rebecca McLennan
Fundamentals of Materials Science and Engineering: An Integrated Approach, 5th Edition, International Student Version: William D. Callister & David G. Rethwisch
Principles of Taxation for Business and Investment Planning, 2020 Edition, 23rd Edition: Sally Jones
McGraw-Hill's Taxation of Business Entities, 2020 Edition, 11th Edition: Brian Spilker
McGraw-Hill's Essentials of Federal Taxation, 2020 Edition, 11th Edition: Brian Spilker
McGraw-Hill's Taxation of Individuals and Business Entities, 2020 Edition, 11th Edition: Brian Spilker
Linux+ and LPIC-1 Guide to Linux Certification, 5th Edition: Jason Eckert
American Government: Brief Version, 11th Edition: James Q. Wilson & John J. DiIulio & Meena Bose
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The World is a Text: Writing About Visual and Popular Culture: Updated Compact Edition Compact: Jonathan Silverman & Dean Rader
Doing Good: Passion and Commitment for Helping Others, 1st Edition: Jeffrey Kottler
Essentials of Computer Organization and Architecture, 5th Edition: Linda Null
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Project Management: Process, Technology and Practice, 1st Edition: Ganesh Vaidyanathan
Financial Accounting, 8th Edition: Robert Libby & Patricia Libby & Daniel Short
Financial Accounting Theory and Analysis: Text and Cases, 12th edition: Richard G. Schroeder
International Accounting, 5th Edition: Timothy Doupnik & Mark Finn & Giorgio Gotti & Hector Perera
Fundamentals of Corporate Finance, 8th Edition: Richard A Brealey & Stewart C Myers & Alan J. Marcus
Accounting for Governmental & Nonprofit Entities, 18th Edition: Jacqueline Reck
Financial Markets and Institutions, 7th Edition: Anthony Saunders & Marcia Cornett
Chemistry: A Molecular Approach, 5th Edition: Nivaldo J. Tro
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Statistical Methods for the Social Sciences, 5th Edition: Alan Agresti
Management Accounting in a Dynamic Environment, 1st Edition: Cheryl S. McWatters & Jerold L. Zimmerman
Intercultural Communication: A Peacebuilding Perspective, 1st Edition: Martin S. Remland & Tricia S. Jones
Human Anatomy & Physiology, 11th Edition: Elaine N. Marieb & Katja Hoehn
Exploring Physical Geography, 2nd Edition: Stephen Reynolds & Robert V. Rohli & Julia Johnson
Affirming Diversity: The Sociopolitical Context of Multicultural Education, 7th Edition: Sonia Nieto & Patty Bode
Nursing Research: Methods and Critical Appraisal for Evidence-Based Practice, 9th Edition: Geri LoBiondo-Wood & Judith Haber
Emergency Public Health: Preparedness and Response, 1st Edition: Girish Bobby Kapur & Jeffrey P. Smith
Sor Juana Inés de la Cruz: Selected Works, 1st Edition: Juana Inés de la Cruz & Edith Grossman & Julia Alvarez
Health Promotion for Nurses: A Practical Guide, 1st Edition: Carolyn Chambers Clark & Karen K. Paraska
Introduction to Statistics and SPSS in Psychology: Andrew Mayers
Primary Care of Women, 2nd Edition: Barbara K. Hackley & Jan M. Kriebs
Empowerment Series: Becoming An Effective Policy Advocate, 8th Edition: Bruce S. Jansson
Clinical Hematology Atlas, 5th Edition: Bernadette F. Rodak & Jacqueline H. Carr
Argumentation: Keeping Faith with Reason, 1st Edition: Edward Schiappa & John P. Nordin
Qualitative Research: A Guide to Design and Implementation, 4th Edition: Sharan B. Merriam
Saunders Comprehensive Review for the NCLEX-RN Examination, 8th Edition: Silvestri & Linda Anne
Environmental Economics & Policy: Pearson New International Edition, 6th Edition: Tom Tietenberg & Lynne Lewis
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The Elements of Moral Philosophy, 9th Edition: James Rachels & Stuart Rachels
The Only EKG Book You'll Ever Need, Ninth Edition, North American Edition: Malcolm S. Thaler
Financial Accounting Theory, 7th Edition: William R. Scott
Liberty, Equality, Power: A History of the American People, Volume I: To 1877, 5th Edition: John M. Murrin & Paul E. Johnson & James M. McPherson & Alice Fahs & Gary Gerstle
Critical Care Nursing: Diagnosis and Management, 8th Edition: Linda D. Urden & Kathleen M. Stacy & Mary E. Lough
Nursing Informatics and the Foundation of Knowledge, 4th Edition: Dee McGonigle & Kathleen Mastrian
Human Performance Improvement: Building Practitioner Performance, 3rd Edition: William J. Rothwell & Carolyn K. Hohne & Stephen B. King
Zionism (Short Histories of Big Ideas), 1st Edition: David Engel
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Data Science for Business: What You Need to Know about Data Mining and Data-Analytic Thinking, 1st Edition: Foster Provost & Tom Fawcett
Mechanics of Materials, 7th Edition: Ferdinand P. Beer & E. Russell Johnston & John T. DeWolf & David F. Mazurek
Fundamentals of Aerodynamics, 6th Edition: John Anderson
Practically Speaking, 2nd Edition: J. Dan Rothwell
Introduction to Interdisciplinary Studies, 2nd Edition: Allen F. Repko & Rick Szostak & Michele Phillips Buchberger
Terrorism and Counterterrorism, 5th Edition: Brigitte Nacos
Varney’s Midwifery, 6th Edition: Tekoa L. King & Mary C. Brucker & Kathryn Osborne & Cecilia M. Jevitt
History and Philosophy of Sport and Physical Activity, 1st Edition: R. Scott Kretchmar & Mark Dyreson & Matt Llewellyn & John Gleaves
The World That Trade Created: Society, Culture, and the World Economy, 1400 to the Present, 4th Edition: Kenneth Pomeranz & Steven Topik
The Origins of the Modern World, 4th Edition: Robert B. Marks
Implementing a Standards-Based Curriculum in the Early Childhood Classroom, 1st Edition: Lora Bailey
Global Logistics and Supply Chain Management, 3rd Edition: John Mangan & Chandra L. Lalwani
Critical Theory Today: A User-Friendly Guide, 3rd Edition: Lois Tyson
Business and Society: Stakeholders, Ethics, Public Policy, 14th Edition: Anne T. Lawrence & James Weber
Applied Predictive Analytics, 1st Edition: Dean Abbott
Integrated Business Processes with ERP Systems, 1st Edition: Simha R. Magal & Jeffrey Word
American Foreign Policy and Political Ambition, 2nd Edition: James L. Ray
Understanding World Societies: A History, Volume 1, 2nd Edition: John P. McKay & Patricia Buckley Ebrey
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Construction Project Management, 6th Edition: S. Keoki Sears & Glenn A. Sears & Richard H. Clough
Interpersonal Relationships: Professional Communication Skills for Nurses, 8th Edition: Elizabeth C. Arnold & Kathleen Underman Boggs
Introductory Chemistry: A Foundation, 9th Edition: Steven S. Zumdahl & Donald J. DeCoste
Persuasion in the Media Age, 3rd Edition: Timothy A. Borchers
Interviewing Children and Adolescents, Second Edition: James Morrison & Kathryn Flegel
Introduction to Computing Systems: From Bits & Gates to C & Beyond, 3rd Edition: Yale Patt
Community Resources for Older Adults: Programs and Services in an Era of Change, 5th Edition: Robbyn R. Wacker & Karen A. Roberto
New on the Job: A School Librarian's Guide to Success, 2nd Edition: Hilda K. Weisburg & Ruth Toor
Narrative Counseling in Schools: Powerful & Brief, 2nd Edition: Gerald D. Monk & John M. Winslade
New Horizons in Multicultural Counseling, 1st Edition: Gerald D. Monk
Investigating Chemistry: Introductory Chemistry From A Forensic Science Perspective, 4th Edition: Matthew Johll
Microbiology Fundamentals: A Clinical Approach, 3rd Edition: Marjorie Kelly Cowan
Western Civilization: Ideas, Politics, and Society, Volume I: To 1789, 11th Edition: Marvin Perry & Myrna Chase & James Jacob & Margaret Jacob & Jonathan W Daly
Earth: Portrait of a Planet, Sixth Edition: Stephen Marshak
Chemistry, 13th Edition: Raymond Chang & Jason Overby
Realities of Canadian Nursing: Professional, Practice, and Power Issues, 5th Edition: Carol McDonald & Marjorie McIntyre
Strategic Management: An Integrated Approach, 10th Edition: Charles W. L. Hill & Gareth R. Jones
Understanding Western Society: A History, Second Edition, Volume 2: John P. McKay & Clare Haru Crowston & Merry E. Wiesner-Hanks & Joe Perry
Moral Development: Theory and Applications, 1st Edition: Elizabeth C. Vozzola
The Practice of System and Network Administration: Volume 1, 3rd Edition: Thomas A. Limoncelli & Christina J. Hogan & Strata R. Chalup
JavaScript: The Web Warrior Series, 6th Edition: Sasha Vodnik & Don Gosselin
Policing in America, 8th Edition: Larry K. Gaines & Victor E. Kappeler
T-SQL Fundamentals, 3rd Edition: Itzik Ben-Gan
Reflect & Relate: An Introduction to Interpersonal Communication, 5th Edition: Steven McCornack & Kelly Morrison
Dental Terminology, 3rd Edition: Charline M. Dofka
Crisis Intervention Strategies, 7th Edition: Richard K. James & Burl E. Gilliland
Asking the Right Questions, 11th Edition: M. Neil Browne & Stuart M. Keeley
Essential Jazz, 3rd Edition: Henry Martin & Keith Waters
Management, 4th Canadian Edition: John R. Schermerhorn & Barry Wright & Daniel G. Bachrach
Law and Literature: Text and Theory, 1st Edition: Lenora Ledwon
Fundamental Financial Accounting Concepts, 10th Edition: Thomas Edmonds
The Sciences: An Integrated Approach, 8th Edition: James Trefil & Robert M. Hazen
Dental Assisting Notes: Dental Assistant's Chairside Pocket Guide, 1st Edition: Minas Sarakinakis
Biological Oceanography, 2nd Edition: Charles B. Miller & Patricia A. Wheeler
Digital Cinematography: Fundamentals, Tools, Techniques, and Workflows, 1st Edition: David Stump
Systems Analysis and Design: An Object-Oriented Approach with UML, 5th Edition: Alan Dennis & Barbara Haley Wixom & David Tegarden
Health Care Market Strategy: From Planning to Action, 5th Edition: Steven G. Hillestad & Eric N. Berkowitz
Qualitative Consumer and Marketing Research, 1st Edition: Russell W. Belk & Eileen Fischer & Robert Kozinets
Inorganic Chemistry, 5th Edition: Gary L. Miessler & Donald A. Tarr
Governing Texas, 4th Edition: Anthony Champagne & Edward J. Harpham & Jason P. Casellas
Hacker Techniques, Tools, and Incident Handling, 3rd Edition: Sean-Philip Oriyano & Michael G. Solomon
Wilson and Walker's Principles and Techniques of Biochemistry and Molecular Biology, 8th Edition: Andreas Hofmann & Samuel Clokie
Strategic Management: Concepts and Cases, 2nd Edition: Jeffrey H. Dyer & Paul Godfrey & Robert Jensen & David Bryce
Adolescence and Emerging Adulthood: A Cultural Approach, 6th Edition: Jeffrey Jensen Arnett
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Nester's Microbiology: A Human Perspective, 8th Edition: Denise G. Anderson & Sarah Salm & Deborah Allen
Complementary and Alternative Therapies for Nursing Practice, 4th Edition: Karen Lee Fontaine
FOCUS on Community College Success, 5th Edition: Constance Staley
Ecology: The Economy of Nature, 8th Edition: Rick Relyea & Robert Ricklefs
Gateways to Art, 3rd Edition: Debra J. DeWitte & Ralph M. Larmann & M. Kathryn Shields
Construction Business Management, 1st Edition: John E. Schaufelberger
International Economics, 4th Edition: Robert C. Feenstra & Alan M. Taylor
Modern Dental Assisting, 12th Edition: Doni L. Bird & Debbie S. Robinson
Buzzed: The Straight Facts About the Most Used and Abused Drugs from Alcohol to Ecstasy, 5th Edition: Cynthia Kuhn & Scott Swartzwelder
Ponto de Encontro: Portuguese as a World Language, 2nd Edition: Clémence de Jouët-Pastré & Anna Klobucka & Patrícia Isabel Sobral
Lost and Found: Helping Behaviorally Challenging Students, 1st Edition: Ross W. Greene
Essential Foundations of Economics, 8th Edition: Robin Bade & Michael Parkin
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Discovering the Global Past, Volume I, 4th Edition: Merry E. Wiesner-Hanks & William Bruce Wheeler & Franklin Doeringer & Kenneth R. Curtis
Discovering the Global Past, Volume II, 4th Edition: Merry E. Wiesner-Hanks & William Bruce Wheeler & Franklin Doeringer & Kenneth R. Curtis
Mosby's Dictionary of Medicine, Nursing & Health Professions, 10th Edition: Mosby
Organizational Behavior and Theory in Healthcare: Leadership Perspectives and Management Applications: Stephen Walston
Evaluating Research in Academic Journals, 7th Edition: Fred Pyrczak & Maria Tcherni-Buzzeo
Criminological Theory, 7th Edition: , Frank P. Williams III & Marilyn D. McShane
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Starting Out With Visual Basic, 8th Edition: Tony Gaddis & Kip R. Irvine
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Expect lots of temperature checks and one-way routes. ‘As we experienced in China, this will be a journey.’
Wearable social-distancing buzzers. Masked blackjack dealers. Drive-thru electronics purchases. From cubicles to factory floors, cafes to clothing boutiques, businesses around the world are dreaming up creative ways to reopen, attempting to start revenue flowing again while minimizing the risk to customers and employees.
The global economy is riding on their ability to pull off that delicate balance. A new flareup of Covid-19 cases could shutter offices, stores, restaurants and manufacturing plants once again, further choking off the flow of goods and services and threatening more jobs. Some governments, such as China, are providing rigorous oversight of the process. Others, including President Donald Trump’s administration, have offered looser guidance and are entrusting businesses to monitor their facilities. Scientists are still studying how the virus is spread, and whether keeping people six feet apart is enough, adding to the risks.
The companies’ plans rely on a steady supply of masks, gloves, thermometers and tests that is likely to strain budgets and manufacturers’ ability to keep up. Social distancing will be built in, with people divided by barriers and kept apart from colleagues and customers, a U-turn after years of movement toward open floor plans. Some companies will monitor employees more closely than ever before, while others will let workers choose how much protection they need. The way we work, shop, travel and eat in 2020 – and probably beyond – is being plotted out in boardrooms around the world.
Here are the changes companies are contemplating for their workplaces in the coming weeks.

The Office

Seats on the shuttle bus to Unilever’s Shanghai offices can be reserved using a chat group. Employees must be masked to board, and they sit on alternating sides, one person to each four-seat row. Upon arrival, each worker scans a QR code and fills out a health status report to get a daily pass to enter. Then comes the temperature check and the hand sanitizer.
Inside the office, movement is tightly regulated. Employees keep their masks on and are encouraged to use the stairs instead of the elevator, with spritzes of hand sanitizer before and after touching the regularly disinfected handrail. In the canteen, a single person is allowed at each four-seat table.
Such measures might seem predictable in a centrally controlled society like China, but some version of them is starting to appear in the West. At Britain’s former state phone monopoly, BT Group Plc, call center workers sit two meters apart, and walkways are designated as one-way to keep people from brushing past each other. Temperature checks are becoming routine at Sistema, the Russian conglomerate, which also says it’s developed its own two-hour test for Covid-19. Employees who come to the office have been tested in the past couple of weeks, though as many as half of the call center workers at MTS, the mobile network controlled by Sistema, are operating out of their homes.

More Room

Flexible space operator Knotel, which runs offices for corporations including Uber and Netflix, says workplace design has to change. Offices will likely be less densely populated, and altered to make them “antiviral,” according to Amol Sarva, Knotel’s chief executive officer.
“Things like ventilation, UV light, density screening, video monitoring, and temperature monitoring, cleaning protocols — those are all going to have to change,” he said. “Certainly there’ll be more space.”
In China, Cushman & Wakefield has helped move nearly a million workers back into 800 million square feet (74 million square meters) of office space. The company is creating a Recovery Readiness manual for landlords and tenants, based in part on its experience in China, that includes colored carpets to create visual boundaries around desks, plexiglass shields between desks that face each other and signs that direct walking traffic in a single direction.

Fewer Meetings

Even when people do come back to the office, meetings will be limited, and large gatherings are out of the question. This week, Facebook Inc. CEO Mark Zuckerberg canceled all physical events of 50 or more people through June 2021. The vast majority of employees are required to work from home through May, and those who need to carry on doing so will be able to work at home through the summer.
The road to normalcy may be much longer than that. At Abcam Plc, a British protein research company, 40 out of 300 China-based employees started returning to work in Beijing, Shanghai, Hangzhou and Hong Kong on Feb. 14. Two months later, the company is running split shifts to maintain distancing for the roughly 50% of employees based in manufacturing, logistics and essential lab work.

The Factory

On Feb. 10, Winly Automotive (Wuhan) Ltd. was assigned a checklist from the government. To reopen, the company would be required to have a one-month stash of masks and sanitizer, take a photo of the supplies, and send it to officials before submitting to a detailed inspection. “The policy has been constantly changing,” said Wang Xuepan, one of the plant’s managers. “It’s very difficult for us to handle.”
In the Seattle area, Boeing Co. has worked with the Washington state labor department on a plan to reopen its factories. It will be doling out cloth masks to most workers, saving the gold-standard N95 masks for a select few in more hazardous conditions.
Unlike office drones, factory workers have to show up in person to get the job done. Figuring out what basic protections they’ll need is part of the challenge. At Boeing, industrial engineers are analyzing the sequence of work on its assembly lines to find ways to spread apart workers.

Taking the Temperature

Airbus SE has divided employees at its plants into red and blue teams, who don’t see each other because they use different routes to enter and exit buildings. Volkswagen AG is allotting more time between shifts and reducing expectations for production because it takes longer for people to move around each other at a safe distance. Ford Motor Co. is experimenting with wearable devices that would buzz workers if they get too close together.
While the virus can be transmitted by people with no symptoms, many manufacturers are doing temperature checks, whether with thermometers, thermal imaging cameras or — in the case of Fiat Chrysler Automobiles NV in the U.S. — reusable forehead strips.
Fiat Chrysler, whose CEO Mike Manley is one of the executives talking with Trump about reopening the economy, is requiring workers to fill out a health questionnaire two hours before reporting to work each day. They must bring either a hard copy, or scan a QR code with their phone, to prove they aren’t displaying signs of illness or exposure to the virus, according to documents obtained by Bloomberg. Workers can’t enter the plant without it.
Some companies are closing cafeterias in favor of vending machines. Dongfeng PSA in Wuhan is handing out prepared lunchboxes to employees, who must eat at least 1.5 meters apart with their backs to each other.
Zhejiang Geely Holding Group Co. said Chairman Li Shufu wrote a song to keep workers motivated through such dreariness. “A world full of expectations/Turned to dust of yesterday,” the lyrics go. “Their sorrow flowing into the sea/But the flower of love is quietly blooming.”

The Airplane

When air travel resumes in earnest, it’s likely that hand sanitizers, face masks and thermometers will become standard at most major airports, said David Powell, medical adviser for the International Air Transport Association, a trade group. All three have shortcomings, but can also reassure passengers, he said.
The International Civil Aviation Organization, which sets global flying standards, wants to establish a “public health corridor concept.” Under such a plan, major airlines, airports, public authorities and other parties would adopt common protocols for screening, boarding, in-flight procedures, arrivals, customs and baggage.
“We cannot all just stop flying,” Ansa Jordaan, the group’s chief of aviation medicine, said during an April 15 webcast.
Emirates Airline said this week it was the first to conduct rapid Covid-19 blood tests, with results available in 10 minutes for passengers flying Wednesday from Dubai to Tunisia. It plans to extend the procedure to other flights, according to Chief Operating Officer Adel Al Redha.
Other carriers are attempting less invasive measures. Etihad Airways, another major airline in the United Arab Emirates, plans to deploy touchless self-service devices at its hub airport in Abu Dhabi to identify travelers with medical conditions, including the early stages of coronavirus.
In the U.S., American Airlines Group Inc. plans to continue spacing customers apart during boarding and flights, conducting extensive cleanings of aircraft and reducing food and beverage service to limit contact, CEO Doug Parker said in an April 15 video message.
“When you do fly, aircraft cleanliness and social distancing matter greatly,” he said.

The Store

In China, it’s become standard to have your temperature taken any time you want to go shopping. Visitors to the Wuhan International Plaza luxury mall are checked for a fever at the door, before they queue up to be served one at a time at Louis Vuitton.
Levi Strauss & Co. disinfects its Chinese stores three times a day and requires temperature checks for customers, who are expected to wear masks before entering the store. Fitting rooms and products that have been tried on are disinfected each time they’re used.
It’s unclear whether practices implemented in China will make their way to other parts of the world, though several companies said they’ll learn from their experience in Asia.

Drive-Thru Shopping

Another technique is to keep shoppers out of the store altogether. Dixons Carphone Plc, the electronics retailer, is considering plans for contact-free “drive-thru” style stores to limit the risk of coronavirus for staff and customers. Shoppers would park outside, call the store to select items to buy, use a contactless system to pay and then open their trunks so staff could deliver the products.
Salespeople at luxury retailers in China were already using social media to engage with customers before the outbreak, but they’ve stepped up the effort since, adding clients on WeChat and sending them information about the latest trends. Louis Vuitton tried showcasing its summer product line in a livestream show on March 26 featuring a social-media star, but was ridiculed for the quality of the video. Sometimes there’s no substitute for personal contact.

The Restaurant

Buffets and salad bars will be re-thought, and self-serve drink stations may be “a thing of the past,” said Taco John’s CEO Jim Creel, who added that other changes are afoot at the 387-store chain. Taco John’s popular salsa bar — around for the past 15 years — may be removed.
“We hope we don’t have to take them out — that we’ll be able to figure out a way to make them still work — but I’m afraid the fear factor our there will force us to go to a pre-packaged option.”
A test of self-ordering kiosks may also get pulled back. “It was a good idea three months ago, but not so good today,” Creel said.

Phone Pay

In China, restaurants and even bars have opened back up in Shanghai, with varying limits on seating arrangements – some allow six to a table, others only one. In Beijing, restaurants are doing temperature checks. In Wuhan, most places are still delivery-only.
“In the short run, as dining rooms open back up again, you’ll probably see many restaurants space their tables a little bit further apart,” said Jack Li, CEO of menu researcher Datassential. “You’ll see more restaurants try to adopt phone pay. So not having to hand your money or card to anyone. You’re certainly going to see more places continue to do things like contactless delivery.”
Starbucks Corp. is taking a store-by-store approach to resuming business activities in the U.S., with services limited to drive-thru, delivery and takeout via mobile orders and contactless pickup.
“As we experienced in China, this will be a journey,” CEO Kevin Johnson wrote in a memo to staff on Thursday.

The Menu

Chains are cutting back menus, focusing on products that sell best and are easy to make. Romano’s Macaroni Grill has pared down its menu to 70% of what it used to be, saying goodbye to pizzas and calzones recently. McDonald’s all-day breakfast menu is gone.
Fazoli’s Italian restaurant chain is trying to secure Purell sanitizing stations – four for each store — along with “millions” of alcohol-based wipes for re-opening the dining rooms of its 216 locations. The company is also re-thinking bathrooms and looking into touch-less soap dispensers. It’s an investment, but a worthwhile one, says CEO Carl Howard.
“I want to let the consumer know I’m doing everything I can to keep them as safe as possible,” Howard said in an interview.

The Arena

Large public gatherings aren’t top of mind yet in China, but Trump and the people who run the U.S.’s biggest sports leagues appear aligned in their thinking that live games, at least in some form, are a critical part of helping the country recover.
“The progression needs to be open outdoor sports first, golf, tennis, swimming so that we can start to test the waters — that I’m fine with,” said billionaire Mark Cuban, who owns the NBA’s Dallas Mavericks.
One obstacle may be local politicians. When UFC floated plans to host an event this weekend on tribal land in California without spectators, it was pressure from politicians, including Governor Gavin Newsom, that led to its cancellation. Los Angeles Mayor Eric Garcetti has reportedly discussed the possibility of prohibiting large gatherings like concerts and sporting events in the city for another year.

The Movies

That said, there’s billions on the line for sports leagues, sponsors and media networks if the games don’t resume soon. Anthony Fauci, the nation’s leading infectious-disease expert, has said that that the only way to do that this summer is to close venues to fans and keep all the players, coaches and referees isolated from society.
Cinema owners are also waiting to see when health officials give them clearance to open up. Cinemark Holdings Inc., the third-largest U.S. movie chain, has been in discussions with major film studios about when to release blockbusters again. The chain’s management thinks they could begin bringing back staff starting in late June, then build up a marketing campaign for a broader re-opening on July 1.
The experience won’t be like it was before coronavirus hit. The chain will either have to limit the available tickets for each showing, leaving about half its seats open. Or it may eliminate reserved seating, so customers can voluntarily spread themselves out when they arrive. Cleaning will have to be ramped up, and opening hours may be limited to accommodate the changes.
“How long that will take? We’re not completely certain,” said Mark Zoradi, Cinemark’s CEO, on a call with analysts and investors on Wednesday. “But we’re planning on anywhere from one to three months to light up that engine again and then to begin with higher profile, new product.”

The Casino

Las Vegas casino executives have discussed opening with as little as one-third of their rooms available, with limited entrances where guests’ temperatures could be checked. Casino employees would wear masks and gloves, and gamblers would sit at least a chair apart at blackjack tables.
The moves are similar to what is already occurring in Macau, the world’s largest gambling market, where casinos closed for 15 days in February and reopened under tight restrictions.
The companies are also discussing enhanced cleaning techniques, something unions have requested.

Fun Parks

The $19.3 billion U.S. theme park industry is also making plans, though no one knows when gates will reopen.
When they do, employees may be wearing masks and temperatures may be checked not only at the entrances but inside as well, said Dennis Speigel, a theme park consultant in Cincinnati. Operators may also institute virtual queues, where guests snag a place in line through an app and come to ride when it’s their turn.
“The theme park of the future is going to have to take a much different turn, from distancing to wanding to cleaning,” Speigel said. “I’ve never heard the fear in the voices that I’ve heard. Nobody knows what they’re going to be doing.”
Bloomberg News - With assistance from Thomas Buckley, Thomas Seal, Dana Hull, Natalie Wong, Julie Johnsson, Charlotte Ryan, Christoph Rauwald, Kyunghee Park, Gabrielle Coppola, Shiho Takezawa, Tian Ying, Chunying Zhang, Keith Naughton, Mary Schlangenstein, Justin Bachman, Layan Odeh, Jordyn Holman, Deirdre Hipwell, Robert Williams, Kim Bhasin, Jinshan Hong, Claire Che, Leslie Patton, Kelly Gilblom and Christopher Palmeri.

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